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LORD OF THE RINGS: THE RETURN OF THE KING BOOK 3

By: Language: English Publication details: Boston Houghton Mifflin 1983Edition: 1Description: 1137ISBN:
  • 9780618260287
Subject(s): DDC classification:
  • F TOL
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Item type Current library Collection Call number Status Date due Barcode
Lending Lending Ernakulam Public Library Fiction Fiction F TOL (Browse shelf(Opens below)) Checked out 2024-11-12 E199926

he awesome conclusion to The Lord of the Rings—the greatest fantasy epic of all time—which began in The Fellowship of the Ring and The Two Towers.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read

While the evil might of the Dark Lord Sauron swarms out to conquer all Middle-earth, Frodo and Sam struggle deep into Mordor, seat of Sauron’s power. To defeat the Dark Lord, the One Ring, ruler of all the accursed Rings of Power, must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. Weighed down by the compulsion of the Ring, he begins finally to despair.

The first ever illustrated paperback of the final part of Tolkien’s epic masterpiece, The Lord of the Rings, featuring 15 colour paintings by Alan Lee, Conceptual Designer on Peter Jackson’s THE HOBBIT: AN UNEXPECTED JOURNEY.

The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents.

Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Sméagol–Gollum, still obsessed by his ‘preciouss’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive – in the hands of the orcs. And all the time the armies of the Dark Lord are massing.

JRR Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail.

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