TANJAVUR PAINTING OF THE MARATHA PERIOD
Language: English Publication details: New Delhi Abhinav Publications 1980/01/01Edition: 1Description: 121Subject(s): DDC classification:- 759.95482 JAY/TA
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Reference | Ernakulam Public Library Reference | Reference | 759.95482 JAY/TA (Browse shelf(Opens below)) | Not for loan | E197450 |
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759.954792 YAS/PA PAINTED WORLD OF THE WARLIS | 759.9548 SEL SELF AND IDENTITY : Contemporary Artist of South India 2005-2006 | 759.9548 SIV/SO SOUTH INDIAN PAINTINGS | 759.95482 JAY/TA TANJAVUR PAINTING OF THE MARATHA PERIOD | 759.95484 AJA AJANTA MURALS | 759.95694 CHA/AR ARIKHA | 759.958 BUS/CE CENTRAL ASIAN PAINTING FROM AFGANISTAN TO SINKIANG |
This book is a general account of the painting of the period when Tanjavur was under Maratha rule. It was a time of turmoil and change, notable for the strands of many different cultures which met and stimulated art in this small territory. Numerous forms arose, some traditional, others showing the assimilation of contemporary ideas. It was an exotic heterogeneous flowering reflecting the demands of different kinds of patrons and the versatility, skill and open-mindedness of the artists.
The painting of this period is dealt with showing its connections to South Indian Art in general and also its responses to the impact of Western ideas. It is a tribute to the people of the South and their traditions that even in a period of comparative instability, wars, famine and confusion there was still a need and a desire for objects of art. The era is characteristically eclectic but its painting mirrors the faith, the values and the requirements of the people.
So far the visual arts of this period have not received much attention. It is hoped that this study will lead one to see that art was an important facet of southern culture as a whole
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