BADAL SIRCAR : Towards a theatre of conscience Anjum Katyal.
Language: English Publication details: Los Angels Sage 2015/01/01Edition: 1Description: 266ISBN:- 9789351503705 (hardback : alk. paper)
- 891.44271 KAT/BA
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Reference | Ernakulam Public Library Reference | Reference | 891.44271 KAT/BA (Browse shelf(Opens below)) | Not for loan | E188721 |
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891.441 TAG/RO ROMANCING TAGORE: COLLECTION OF OVER 100 TAGORE POEMS IN URDU NAZM | 891.4414 CHA/RE REDISCOVERING RABINDRANATH | 891.4414 TAG/EN ENGLISH WRITINGS OF RABINDRANATH TAGORE VOL - 1 POEMS | 891.44271 KAT/BA BADAL SIRCAR : | 891.55 ROG/SH SHAH NAMAH OF FARDUSI | 891.5511 ANN/RU RUMI`S WORLD: THE LIFE AND WORK OF THE GREAT SUFI POET | 891.703 ANN/LI LITERARY RUSSIA : A GUIDE |
The first full-length study of Badal Sircar, who brought theatre to the streets and to the masses in India!
Badal Sircar (1925-2011) is one of the most important and influential figures in the history of post-independence Indian theatre. As a playwright, he contributed seminal texts which have inspired the country's leading directors and continue to be produced by younger groups. In terms of form, he was responsible for Third (later called Free) Theatre, an urban theatre which was alternative, non-proscenium, mobile and very physical. As a theorist and philosopher of Indian theatre, he opened up the discourse to include concerns with democratic human interaction and a search for a more just and equitable society. As a teacher and mentor, he traveled widely across the country holding workshops which had a deep impact on hundreds of theatre workers, including some major directors.
This book is a full-length, detailed study of Badal Sircar's life and work, with its three distinct phases: the playwriting for the proscenium stage, with path-breaking texts like Evam Indrajit, Pagla Ghoda and Baki Itihas; the departure to non-proscenium physical theatre focused on the actor, with its social critique and commitment to conscientisation; and the dissemination phase of extensive workshops and mentoring.
Contents:-
Chapter One
Bitten by the Bug
Chapter Two
The Early Years
Chapter Three
Ebong Indrajit : The Game Changer
Chapter Four
A Creative Year
Chapter Five
Nigerian Interlude
Chapter Six
An Established Playwright
Chapter Seven
Proscenium Farewell
Chapter Eight
Indoors and Outdoors
Chapter Nine
The Third Theatre
Chapter Ten
Devised Theatre
Chapter Eleven
The Workshop Way
Chapter Twelve
The Woman Question
Chapter Thirteen
Talking Politics
Chapter Fourteen
The Final Years
Appendix: List of Plays 250
Select Bibliography 256
Index 262
About the Author 267
Includes bibliographical references (pages 256-261) and index.
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