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PHILOSOPHERS ON FILM FROM BERGSON TO BADIOU : Critical Reader (Record no. 187811)

MARC details
000 -LEADER
fixed length control field 03559nam a22002897a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220615b xxu||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780231176033
037 ## - SOURCE OF ACQUISITION
Terms of availability Purchased
Note Prism Books, Kadavanthra, Kochi
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title English
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4301
Item number PHI
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Nil
245 ## - TITLE STATEMENT
Title PHILOSOPHERS ON FILM FROM BERGSON TO BADIOU : Critical Reader
Statement of responsibility, etc. /edited by Christopher Kul-Want
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. New York
Name of publisher, distributor, etc. Columbia University Press
Date of publication, distribution, etc. 2019/01/01
300 ## - PHYSICAL DESCRIPTION
Size of unit 355
500 ## - GENERAL NOTE
General note Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions--Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories--this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many texts discuss cinema as a mass medium; others develop phenomenological analyses of film itself. They reflect upon the potential of film to challenge dominant forms of ideology. The anthology considers the ways in which cinema can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers' concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Creative evolution, 1907 / Henri Bergson <br/>The work of art in the age of its technological reproducibility, 1935-36 / Walter Benjamin <br/>The culture industry: enlightenment as mass deception, 1944 / Theodor W. Adorno and Max Horkheimer <br/>The film and the new psychology, 1945 / Maurice Merleau-Ponty <br/>On contemporary alienation or the end of the pact with the devil, 1970 / Jean Baudrillard <br/>The looking glass, from the other side, 1977 / Luce Irigaray --<br/>Acinema, 1978 / Jean-François Lyotard <br/>Cinema I the movement-image, 1983 / Gilles Deleuze <br/>Cinema II the time-image, 1985 / Gilles Deleuze <br/>The malady of grief: Duras, 1987 / Julia Kristeva <br/>Notes on gesture, 1992 / Giorgio Agamben <br/>"In his bold gaze my ruin is writ large", 1992 / Slavoj Žižek <br/>And life goes on: life and nothing more, 1995 / Jean-Luc Nancy <br/>Contesting tears, the Hollywood melodrama of the unknown woman, 1996 / Stanley Cavell <br/>From one manhunt to another: Fritz Lang between two ages, 2001 / Jacques Rancière <br/>Cinema as philosophical experimentation, 2003 / Alain Badiou --<br/>Cinematic time, 2011 / Bernard Stiegler <br/>The analogy of photography, or the history of photography, part 1, 2015 / Kaja Silverman.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion Pictures- Film
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Film- Theory
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Film Philosophy
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion pictures - Philosophy.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Continental philosophy
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Kul-Want, Christopher (ed.)
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Reference
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Reference Ernakulam Public Library Ernakulam Public Library Reference 2022-06-14 Purchased 2731.00 KC-22-CRB-829,2022/06/14   791.4301 PHI E198146 2022-06-15 2022-06-14 Reference