MARC details
000 -LEADER |
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02115nam a22002777a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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220504b xxu||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0500236747 |
037 ## - SOURCE OF ACQUISITION |
Terms of availability |
Gifted |
Note |
Vijayan Kannampilly |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
English |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.04 |
Item number |
GOL/VI |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Golding, John |
245 ## - TITLE STATEMENT |
Title |
VISIONS OF THE MODERN |
250 ## - EDITION STATEMENT |
Edition statement |
1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc. |
Slovenia |
Name of publisher, distributor, etc. |
Thames & Hudson |
Date of publication, distribution, etc. |
1994/01/01 |
300 ## - PHYSICAL DESCRIPTION |
Size of unit |
368 |
500 ## - GENERAL NOTE |
General note |
ohn Golding brings to his writing the sure eye and profound sensitivity of a practicing artist. Perhaps best known for his seminal history of Cubism, Golding has long been regarded as one of the most outstanding art historians and critics of our time. This volume brings together many of his most important essays, and its publication will be celebrated not only by his admirers, but by lovers of art and language everywhere.<br/><br/>Visions of The Modern covers a vast range of twentieth-century art, from Matisse and Cubism, Dada and Surrealism, to aspects of postwar American art. Some essays have been out of print, while others have appeared in periodicals not easily accessible to the average reader. Taken together, they establish a sustained, deeply informed account of many of the grandest moments in the art of this century.<br/><br/>A much admired painter, Golding's unique balance of eye and mind infuses his exceedingly literate criticism. Combining a meticulousness in matters of fact with a capacity to write in a lucid, jargon-free manner, he addresses equally the sophisticated art historian, the cultural historian, and the general reader.<br/><br/>An appendix to the volume is in the form of a dialogue between Golding and the philosopher Richard Wollheim. It provides additional insights into the origins and aims of abstract art, as well as revealing the mind of an invigorating artist at work. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Modernism (Art) |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
John Golding- Artist- Great Britain |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Collection- Essays |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Modern Art |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Critical Analysis |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art-20th Century |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art, Modern - 20th century. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Reference |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |