MARC details
| 000 -LEADER |
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| fixed length control field |
02240nam a22002537a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
171010b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789352770342 |
| 037 ## - SOURCE OF ACQUISITION |
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| Terms of availability |
Purchased |
| Note |
Prism Books,Kadavanthra |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
English |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43092 |
| Item number |
DEV |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Devapriya Sanyal |
| 245 ## - TITLE STATEMENT |
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| Title |
THROUGH THE EYES OF A CINEMATOGRAPHER : |
| Remainder of title |
Biography of Soumendu Roy |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc. |
UP |
| Name of publisher, distributor, etc. |
HarperCollins India |
| Date of publication, distribution, etc. |
2017/01/01 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Size of unit |
176 |
| 500 ## - GENERAL NOTE |
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| General note |
Soumendu Roy today is widely known for his long association with Satyajit Ray. He was Ray s cinematographer for a generation of films that is celebrated the world over even now. Witness to a great genius, Roy also carved a niche for himself in his own right, working with other stalwarts of Bengali cinema like Tapan Sinha and Buddhadeb Dasgupta, among others. Born into a humble family in 1932, Soumendu Roy s love for the camera was kindled early on when his sister promised him a Kodak Brownie camera if he passed the board exams. Pass his exams he did, but he thought nothing of leaving academics and joining the Technicians Studio in Kolkata when opportunity knocked. He experienced his first outdoor shoot on the sets of Pather Panchali as caretaker of the Mitchell camera that was used for the shooting the film that put Satyajit Ray and Indian cinema on the world map. He then went on to assist Ray s pioneering cinematographer Subrata Mitra in a number of films, before becoming an independent cinematographer in 1960 with Ray s documentary Rabindranath Tagore. Through the Eyes of a Cinematographer is the behind-the-scenes story of one of the finest camerapersons India has known, his childhood experiences, his love of the moving picture , the many intricacies of film-making, and the painstaking toil and unexpected turn of luck that are required in equal measure to succeed. This book is a must-read for all film aficionados. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Contents<br/>1.Early Years<br/>2.Learning The Ropes of Cinematography<br/>3.Years with Ray<br/>4.Life After Satyajit Ray<br/>5.Filmography<br/>6.Awards<br/>7.Index<br/>Acknowledgements |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Biography |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Soumendu Roy |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Indian cinematographer |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Lending |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |