000			02217nam a2200301Ia 4500
005			20250513115023.0
008			150814s9999 xx 000 0 und d
020			_a9780618485222
037			_cGifted
037			_nN.K Kannan Menon Foundation
041			_aEnglish
082			_aF _bLAH
100			_aJhumpa Lahiri
245			_aNAMESAKE
250			_a1
260			_bMariner Books - Houghton Mifflin Company _aNew York _c2003
260			_c2003/01/01
300			_g291
365			_b395
500			_aThe Namesake’ is the story of a boy brought up Indian in America, from ‘the kind of writer who makes you want to grab the next person and say “Read this!”.’ Amy Tan Gogol Ganguli is headed to paradise, a place of satisfaction and fulfilment. He doesn’t really know it as he travels through his life toward this destination. He is only aware that he is not quite at ease with himself, and for a long time he thinks it’s all because of his name… His journey begins by train. But Gogol is not on it. Rather it was a train whose fateful journey gave his father, Ashoke Ganguli – a Bengali in America, awkward in his new surroundings – both a brush with mortality and the name of his firstborn son. Brought up as an Indian in suburban America, Gogol finds himself itching to cast off the inherited values and priorities that his parents drape over him. He escapes into Education and is educated above all in new ways of living, new ways of making a family, new ways of being married. He is shown a perfect home, then – to his delight and surprise – invited in to it, for good. But still he wears that Russian’s name, still he is an Indian in America, and, once you get to the furthest point there, there's nowhere else to go but back. In ‘The Namesake’, Jhumpa Lahiri presents her reader with the entirely satisfying novel that those who loved the clarity, sympathy and grace of her prize-winning debut, the story collection ‘Interpreter of Maladies’, longed for and anticipated. It is a triumph of humane story telling.
630			_aNil
650			_aFiction
650			_aNovel
942			_cREF
942			_2ddc
942			_2ddc
942			_2ddc
999			_c195216 _d195216