000			01443nam a22002297a 4500
008			240110b xxu||||| |||| 00| 0 eng d
020			_a9788182903975
037			_cPurchased _nShubhi Publications,Gurugram
041			_aEnglish
082			_a780.9548 _bLAL/HI
100			_aLalita Ramakrishna
245			_aHISTORICAL DEVELOPMENT IN KARNATIC MUSIC
250			_a1
260			_aGurugram _bShubhi Publications _c2017/01/01
300			_g117
500			_aThis book shows the great similarity that exists between the Hindustani and Karnatak systems. Their source is the same, but, since the last seven hundred years, history and geography have made them emphasize differing aesthetical ideas. One system explores the beauty of flow, glides, ambiguity and shading. The other system delights in clarity, crispness, words and rhythm. Both these systems are true to their ancient origin and today there is increasing mutual awareness and appreciation between them. In the south, three great saint composers, called the Trinity, shaped the features of the Karnatak idiom. A fascination for mathematical calculation led Karnatak musicians to explore complex time divisions in rhythm. Their scientific temperament gave a viable classification theory for the plethora of ragas.
650			_aCarnatic music
650			_aCarnatic music History and criticism
650			_aCriticism, interpretation, etc
942			_cLEN
942			_2ddc
999			_c191839 _d191839