000 | 01964nam a22002657a 4500 | ||
---|---|---|---|
008 | 230920b xxu||||| |||| 00| 0 eng d | ||
020 | _a9780241970614 | ||
037 |
_cPurchased _nCurrent Books,Convent Jn,Ernakulam |
||
041 | _aEnglish | ||
082 |
_a824.914 _bTOI/GU |
||
100 | _aToibin,Colm | ||
245 | _aGUEST AT THE FEAST | ||
250 | _a1 | ||
260 |
_aUK _bPenguin _c2022/01/01 |
||
300 | _g299 | ||
500 | _aA Guest at the Feast uncovers the places where politics and poetics meet, where life and fiction overlap, where one can be inside writing and also outside of it. From the melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Toibin delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction.The imprint of the written word on the private self, as Toibin himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self. | ||
505 | _aPart one. Cancer: My part in its downfall -- A guest at the feast -- A brush with the law -- Part two. The paradoxical pope -- Among the flutterers -- The Bergoglio smile: Pope Francis -- The Ferns report -- Part three. Putting religion in its place: Marilynne Robinson -- Issues of truth and invention: Francis Stuart -- Snail slow: John McGahern -- Epilogue. Alone in Venice. | ||
650 | _aTóibín, Colm, 1955- | ||
650 | _aAuthors, Irish -- 21st century | ||
650 | _aCancer -- Patients -- England -- London | ||
650 | _aIreland -- Social life and customs | ||
650 | _aEssaysTravel writing | ||
942 | _cLEN | ||
942 | _2ddc | ||
999 |
_c191255 _d191255 |