000 03229cam a22004817i 4500
001 20393654
005 20181012174226.0
008 171004s2018 enka b 000 0 eng d
010 _a 2017492501
020 _a9781509846887
020 _a1509846883
035 _a(OCoLC)ocn993042944
037 _cPurchased
_nPrism Books,Kadavanthra
041 _aEnglish
042 _alccopycat
043 _an-us---
082 0 4 _a821.914
_bROB/LO
100 1 _aRobertson, Robin
245 1 4 _aLONG TAKE : or, a way to lose more slowly /
_cRobin Robertson.
250 _a1
260 _aLondon
_bPan MacMillan - Picador
_c2018/01/01
300 _g236
490 1 _aPicador poetry
500 _aShortlisted for the Man Booker Prize 2018 Shortlisted for the Goldsmiths Prize 2018 Winner of The Roehampton Poetry Prize 2018 ‘A beautiful, vigorous and achingly melancholy hymn to the common man that is as unexpected as it is daring’ John Banville, Guardian A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable – and unclassifiable – books of recent years. Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish. The Dream had gone sour but – as those dark, classic movies made clear – the country needed outsiders to study and dramatise its new anxieties. While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it – yet resolved to find kindness again, in the world and in himself. Robin Robertson’s The Long Take is a work of thrilling originality. The Long Take is like a film noir on the page. A book about a man and a city in shock, it’s an extraordinary evocation of the debris and ongoing destruction of war even in times of peace. In taking a scenario we think we know from the movies but offering a completely different perspective, Robin Robertson shows the flexibility a poet can bring to form and style. Man Booker judges’ citation
500 _aShortlisted for the Man Booker Prize 2018
650 0 _aPoetry
650 0 _aVeterans -- Poetry.
650 0 _aPost-traumatic stress disorder
650 0 _aUnited States -- Social conditions -- 1945- -- Poetry.
942 _cLEN
246 3 _aLong take
246 3 0 _aWay to lose more slowly
504 _aIncludes bibliographical references (pages 230-236).
650 0 _vPoetry.
650 0 _vPoetry.
651 0 _aUnited States
_xSocial conditions
_y1945-
_vPoetry.
830 0 _aPicador poetry.
906 _a7
_bcbc
_ccopycat
_d3
_encip
_f20
_gy-gencatlg
942 _2ddc
942 _2ddc
999 _c173374
_d173374