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     <title><![CDATA[Ernakulam Public Library Search for 'Provider:D K Printworld']]></title>
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       <title>
    COMPARATIVE LITERARY THEORY : AN OVERVIEW






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       <dc:identifier>ISBN:9788124607206</dc:identifier>
        <link>/cgi-bin/koha/opac-detail.pl?biblionumber=148635</link>
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	   <p>By Kapil Kapoor. 
	   New Delhi D K Printworld 2014
                        
                        , Two cultures of the world Greek and Indian have nourished literature. While the contemporary Western thinking is rooted in Greek thought, especially of Socrates, Plato and Aristotle, and percolated down to the modern European languages with the advent of Christian thought, the multilingual Indian literary tradition has its base from the classical Tamil, Pali, Prakrt and Sanskrit. Though cultural specificity marks these two traditions off from each other, the universal human condition that finds expression in all literatures binds them together. This book delves deep into the growth of poetics, theory of literature, literary artefacts, aesthetics of literature as an art form, and dramaturgy and philosophy of literature. Cultures have given forms as their typical expressions for India great epics, for Greece tragedies, and for England lyrics. Similarly, different ages of a culture find expression in different forms Elizabethan age of England in lyrics, sixteenth-seventeenth centuries in drama, eighteenth century in prose, and nineteenth century in novel. India s genius is in epics and its expression unfolds in sravya-preksa compositions, being singable poetry as its preferred form. This book must serve pretty useful for students and teachers of literature. Also, an invaluable collection for researchers in literature.
                        
                         9788124607206
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    DEBATING CULTURE






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       <dc:identifier>ISBN:9788124607046</dc:identifier>
        <link>/cgi-bin/koha/opac-detail.pl?biblionumber=196807</link>
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	   <p>By Anirban Ganguly. 
	   New Delhi D K Printworld 2025
                        
                        , Barring the political agenda, the vital forces associated with India's nationalist movement were moral, literary and artistic. Many cultural protagonists were vocal in saying that the regeneration of our society could happen through the revival of our arts and culture, not by politics and economics alone. This impulse was quite visible in cultural thought-leaders like Ananda Coomaraswamy, Sri Aurobindo, Swami Vivekananda, Sister Nivedita, John Woodroffe, Syamaprasad Mookerjee, K.M. Munshi and Jawaharlal Nehru. Rabindranath Tagore made a strong case for developing a complete and moving orb of Indian culture. This book delves deep into the vision of these thought-leaders in making India a culturally strong nation, and warns us in different ways against becoming insularly modern. These personalities remind us of our unique past and time-tested virtues and values, and the criticality of sustaining them while being “modern” in many ways. They exult in our past and call upon us to be the torch-bearers of this legacy. This volume, while doing an in-depth study of these Indian cultural activists, laments on the lackadaisical attitude of the leaders of Independent India in maintaining and promoting our art forms and long-revered culture. A renewed effort in rejuvenating our culture is the need of the hour, especially when its moorings seem to be loosening and its symbols diluting. It is an irony to call for the recognition of Indian culture in India!
                        
                         9788124607046
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